Doug Chang--Conceptual Weaponry for Aesthetic Wars

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<channel>
	<title>Doug Chang--Conceptual Weaponry for Aesthetic Wars</title>
	<link>http://www.dougchang.com</link>
	<description>Doug Chang--Conceptual Weaponry for Aesthetic Wars</description>
	<pubDate>Tue, 07 Feb 2012 08:53:35 +0000</pubDate>
	<generator>http://www.dougchang.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Darkest Dim</title>
		<link>http://dougchang.com/Darkest-Dim</link>
		<comments>http://dougchang.com/following/dougchang.com/Darkest-Dim</comments>
		<pubDate>Tue, 07 Feb 2012 08:53:35 +0000</pubDate>

		<dc:creator>Doug Chang--Conceptual Weaponry for Aesthetic Wars</dc:creator>
		
		<category><![CDATA[tokimonsta, gavin turek, jennifer lee, motion, vfx, doug, chang, art center, 3d, animation, darkest dim]]></category>

		<guid isPermaLink="false">1827203</guid>
		<description>

DARKEST DIM: TOKIMONSTA FEAT. GAVIN TUREKMusic Video


SYNOPSIS
Tokimonsta (The Dream Curator) carefully manages the playlist of Gavin Turek's (The Sleeper) dreams throughout the night using her grippers. When Tokimonsta accidentally breaks a dream card in half using her hand, she discovers a newfound possibility of remixing broken pieces of dream cards together to deliver Gavin the most beautiful dream she ever had.


CREDITS
Director - Doug Chang
Cast - Jennifer Lee (Tokimonsta), Gavin Turek
Producers - Doug Chang, Beth Li, Daniel Choi
Associate Producer - Elizabeth Bayne
Director of Photography - Charles C. Rose
Cinematography - Chris Acedillo, Clair Chang, James Phan
Production Design - Amanda Lane
Production Art Direction - Noelle Karman
Concept Art - Velwyn Yossy
Editor - Jorge Sandoval
Color - Clair Chang
Costume Design - Matt Lee, Esther Park
Mask Design - Hugo Pilates
Make Up / Hair - Lucy Gedjeyan
2nd Unit Director - Daniel Choi
Assistant Directors - Carlo Paganoni, Elizabeth Bayne
Photographers - Adrienne Garcia, James Phan
Art Department - Beth Li, Daniel Choi, Nancy Lopez, Miri Crystal Kim
VFX Supervisor - Doug Chang
Optical Effects - Daniel Choi, Pavin Chaisua
Design / Animation - Beth Li, Matt Lee, Daniel Choi, Esther Park
1st AC - Mike Reyes, Conrad Curtis
2nd AC - Mitchell Yee 
Crew - Paul Saskas, Eric Wallace, Wanhi Lee, Alex Bai, Johnny Byul Lee, Derek Brown, Tim Hendrix
Set Builders - Nguyen Do, Steve Lee, Pavin Chaisua
Playback - Seunga Lee

Original Song - Darkest Dim by Tokimonsta Featuring Gavin Turek from Creature Dreams EP on Brainfeeder

Produced at Art Center College of Design
Ming Tai, Charles C Rose, Paul Saskas, Marcie Begleiter

Many Thanks to Ming Tai, Marcie Begleiter, Nik Hafermas, Steve Kim, Kaan Atilla, Chris Do, Kickstarter.com, Kickstarter Contributors

Special Thanks to Kickstarter Contributors

Daniel Palomino, Anna Hawken, William Bruno, Jeff Ham, Daniel Vaughan, Deroubaix Romain, Takahiro Saito, Jason Chang, Roy Mongkolpradit, Julian Mwangi, Amy Huang, Thor Deacon, Justin kamiyama, David Chen, Judy Huang, Dai Tran, Allie Marumo, Danielle Perez, Bertrand Capo, Takafumi Tsuchiya, Rita Linsley, Dennis Dela Cruz, Andrew Kim, Cherry Chan, Daniel Brandl, Noel Dong, Jonathan Huang, Janelle Peterson, Sam Corner, Jeremy Kuempel, Seyve-Despin Caroline, Vanessa Fernandez, Alex Engelgau, Jimmy Ly, Steven Powell, Kyle Darrah, Jason Abarabar, Samuel Berner, Jillian Pidlaoan, Jessica Sayers, Andy Sun, Dylan Harris, JC Curcio, Nicole Zambolla, Nicole Hassoun, Adam Johnson, Jennifer Hui, Nic Mendoza, Mary Catherine Finney, Julian Sanchez, Allan Nunez, Phillip Horrack, marcie begleiter, Queenie Quan, Jae Namkung, Hope Nam, Julian Atkinson, William Suen, James Licata, Jennifer Jeon, Darnell Tucker, lauren fambrough, Ron Hsu, Wilson Hoang, Ken Lee, Michelle Cho, Matthew Michaud, Brian Stern, Adam Carlucci, Mike Prasad, Jason Feng, Al Lax, Zach Eastburg, Christopher Blair, Hannah Kim, Carlo White, Crystal Kim, Christopher Ott, Aaron Bailey, Lisa Chen, Jenny Lee, Adam Ho, Matthew Loniero, Evgeniy Ronjin, Sebastian Gameel, Maria An, Adam Garsh, Kyungwon Kim, Thomas Feng, Rebecca Rx, Josh Bess, Ryan Shiroma, Lois Kim, Nicole Jooyeon Choi, Sangho Ko, Sean "Krull" Richer, Revelator</description>
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	</item>
		
		
	<item>
		<title>Staples</title>
		<link>http://dougchang.com/Staples</link>
		<comments>http://dougchang.com/following/dougchang.com/Staples</comments>
		<pubDate>Thu, 24 Nov 2011 07:26:37 +0000</pubDate>

		<dc:creator>Doug Chang--Conceptual Weaponry for Aesthetic Wars</dc:creator>
		
		<category><![CDATA[Staples, Styleframe, Design, Robot, Office]]></category>

		<guid isPermaLink="false">2357002</guid>
		<description>STAPLES: OFFICE ARCADEDesign + Story

&#60;img src="http://payload2.cargocollective.com/1/0/26660/2357002/DougChang_Staples_Hero_960.jpg" border="0" width="960" height="587" width_o="2048" height_o="1252" src_o="http://payload2.cargocollective.com/1/0/26660/2357002/DougChang_Staples_Hero_o.jpg" align="left" /&#62; &#60;img src="http://payload2.cargocollective.com/1/0/26660/2357002/DougChang_HeroArcade_960.jpg" border="0" width="960" height="540" width_o="1920" height_o="1080" src_o="http://payload2.cargocollective.com/1/0/26660/2357002/DougChang_HeroArcade_o.jpg" align="left" /&#62; &#60;img src="http://payload2.cargocollective.com/1/0/26660/2357002/DougChang_Staples_Styleframe_02_960.jpg" border="0" width="960" height="540" width_o="1920" height_o="1080" src_o="http://payload2.cargocollective.com/1/0/26660/2357002/DougChang_Staples_Styleframe_02_o.jpg" align="left" /&#62; &#60;img src="http://payload2.cargocollective.com/1/0/26660/2357002/DougChang_Staples03_960.jpg" border="0" width="960" height="540" width_o="1920" height_o="1080" src_o="http://payload2.cargocollective.com/1/0/26660/2357002/DougChang_Staples03_o.jpg" align="left" /&#62; 
Collaboration with Dave Chen


SYNOPSIS
Office worker (Johnny) is bored at work and boss gives him a stack of papers. Instead of killing time playing internet games, Johnny uses his new office gadgets from Staples to help get him through the day and get the job done more efficiently in the form of a video game. Magnets and a sharpie form an arcade on his desk as his Avatar is created from office gadgets around him. The Avatar jumps into the computer monitor and begins a Street Fighting style tournament against tasks that his boss attacks him with. The Avatar uses his digital powers to counter everything the opponent throws at him and uses his super Bluetooth/Wireless move to win the battle. Johnny awakens to an intercom seeing Sharpie scribbles over his paperwork from his Sharpie joystick. The Avatar suddenly swings by with white out zapping the Sharpie scribbles off his paper and Johnny has once again survived another day of work.


ART CENTER COLLEGE OF DESIGN
Instructor: Paul B Kim</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>Jeep</title>
		<link>http://dougchang.com/Jeep</link>
		<comments>http://dougchang.com/following/dougchang.com/Jeep</comments>
		<pubDate>Wed, 12 Oct 2011 07:46:26 +0000</pubDate>

		<dc:creator>Doug Chang--Conceptual Weaponry for Aesthetic Wars</dc:creator>
		
		<category><![CDATA[styleframe, storyboard, motion]]></category>

		<guid isPermaLink="false">2137259</guid>
		<description>JEEP: URBAN WILDERNESSDesign + Story

&#60;img src="http://payload.cargocollective.com/1/0/26660/2137259/DougChang_Jeep01_10222011_4_o_960.jpg" border="0" width="960" height="540" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/0/26660/2137259/DougChang_Jeep01_10222011_4_o_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/2137259/DougChang_Jeep_02_o_960.jpg" border="0" width="960" height="540" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/0/26660/2137259/DougChang_Jeep_02_o_o.jpg" align="left" /&#62; 

SYNOPSIS
This 30 second spot showcases the Jeep Rubicon as an adventurer laying down the groundwork for the wild. Armored in gold with the stealth of a lion, this pulp action savage attracts wildlife back into the city. As the Rubicon cuts through street corners and freeway underpasses, the streets transform into his own natural habitat, claiming his territory once again. Urban wilderness is no match for the fearless Rubicon.


ART CENTER COLLEGE OF DESIGN
Instructor: Paul B Kim
</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>PBS</title>
		<link>http://dougchang.com/PBS</link>
		<comments>http://dougchang.com/following/dougchang.com/PBS</comments>
		<pubDate>Tue, 11 Oct 2011 08:51:27 +0000</pubDate>

		<dc:creator>Doug Chang--Conceptual Weaponry for Aesthetic Wars</dc:creator>
		
		<category><![CDATA[styleframe, storyboard, motion]]></category>

		<guid isPermaLink="false">2131350</guid>
		<description>PBS: THE STORY WITHINDesigns + Story

&#60;img src="http://payload.cargocollective.com/1/0/26660/2131350/DougChang_PBS_01_960.jpg" border="0" width="960" height="540" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/0/26660/2131350/DougChang_PBS_01_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/2131350/DougChang_PBS_02_960.jpg" border="0" width="960" height="540" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/0/26660/2131350/DougChang_PBS_02_o.jpg" align="left" /&#62; 


SYNOPSIS
PBS is the intersection of past and future. The PBS Logo is Noah’s Ark and can with-stand the test of time even through the next ice age and will continue to showcase humanity and diversity in programming in a museum environment for the public.


ART CENTER COLLEGE OF DESIGN
Instructor: Paul B Kim</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>Architect</title>
		<link>http://dougchang.com/Architect</link>
		<comments>http://dougchang.com/following/dougchang.com/Architect</comments>
		<pubDate>Thu, 18 Aug 2011 08:27:51 +0000</pubDate>

		<dc:creator>Doug Chang--Conceptual Weaponry for Aesthetic Wars</dc:creator>
		
		<category><![CDATA[styleframe, storyboard, motion]]></category>

		<guid isPermaLink="false">1827207</guid>
		<description>ARCHITECTURE FOR HUMANITYDesign + Story

&#60;img src="http://payload.cargocollective.com/1/0/26660/1827207/DougChang_Architect_02_960.jpg" border="0" width="960" height="540" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/0/26660/1827207/DougChang_Architect_02_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827207/DougChang_Architect_03_960.jpg" border="0" width="960" height="540" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/0/26660/1827207/DougChang_Architect_03_o.jpg" align="left" /&#62; 


SYNOPSIS
Clouds take this determined, advocate for rebuilding the world, into New York City by way of hot air ballon to re-integrate native habitats back into the city. By helping nature take the world back, this activist improves the quality of life and well-being for both man and mother earth. 


RESEARCH &#38; DEVELOPMENT&#60;img src="http://payload.cargocollective.com/1/0/26660/1827207/DougChang_Architect_04_960.jpg" border="0" width="960" height="741" width_o="1650" height_o="1275" src_o="http://payload.cargocollective.com/1/0/26660/1827207/DougChang_Architect_04_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827207/DougChang_Architect_05_o_960.jpg" border="0" width="960" height="741" width_o="1650" height_o="1275" src_o="http://payload.cargocollective.com/1/0/26660/1827207/DougChang_Architect_05_o_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827207/DougChang_Architect_06_960.jpg" border="0" width="960" height="741" width_o="1650" height_o="1275" src_o="http://payload.cargocollective.com/1/0/26660/1827207/DougChang_Architect_06_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827207/DougChang_Architect_07_960.jpg" border="0" width="960" height="741" width_o="1650" height_o="1275" src_o="http://payload.cargocollective.com/1/0/26660/1827207/DougChang_Architect_07_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827207/DougChang_Architect_08_960.jpg" border="0" width="960" height="741" width_o="1650" height_o="1275" src_o="http://payload.cargocollective.com/1/0/26660/1827207/DougChang_Architect_08_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827207/DougChang_Architect_09_960.jpg" border="0" width="960" height="741" width_o="1650" height_o="1275" src_o="http://payload.cargocollective.com/1/0/26660/1827207/DougChang_Architect_09_o.jpg" align="left" /&#62; 

Special Thanks to Carmen Rosa Lopez for modeling for me

ART CENTER COLLEGE OF DESIGN
Instructor: Ming Tai
Model: Carmen Rosa Lopez</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>Awaken</title>
		<link>http://dougchang.com/Awaken</link>
		<comments>http://dougchang.com/following/dougchang.com/Awaken</comments>
		<pubDate>Thu, 18 Aug 2011 07:37:17 +0000</pubDate>

		<dc:creator>Doug Chang--Conceptual Weaponry for Aesthetic Wars</dc:creator>
		
		<category><![CDATA[motion, vfx, doug, chang, art center, 3d, animation, ecosystem]]></category>

		<guid isPermaLink="false">1827205</guid>
		<description>

AWAKENIndependent Project


DESIGN + STORY
&#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_21_960.jpg" border="0" width="960" height="401" width_o="1888" height_o="790" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_21_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_06_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_06_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_07_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_07_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_08_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_08_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_09_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_09_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_10_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_10_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_11_960.jpg" border="0" width="960" height="401" width_o="2048" height_o="857" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_11_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_12_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_12_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_13_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_13_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_14_960.jpg" border="0" width="960" height="401" width_o="1920" height_o="803" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_14_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_15_960.jpg" border="0" width="960" height="401" width_o="1492" height_o="624" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_15_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_16_960.jpg" border="0" width="960" height="401" width_o="2048" height_o="857" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_16_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_17_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_17_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_18_960.jpg" border="0" width="960" height="401" width_o="1629" height_o="682" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_18_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_19_960.jpg" border="0" width="960" height="401" width_o="1629" height_o="682" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_19_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_20_960.jpg" border="0" width="960" height="401" width_o="1629" height_o="682" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_20_o.jpg" align="left" /&#62; 


SYNOPSIS
Ecosystem Inside ÷ Ecosystem Outside = Balance

The modern world’s increasing distance from nature has left us disconnected from the natural world. Therefore, I chose to express this relationship between human well-being and nature by drawing parallels between how the ecosystem in nature can be reawakened by an ecosystem inside our body. By taking you on a journey through the chakras, I hope to better your senses about your relationship to mother nature and how we can only begin to heal her by starting within ourselves.



RESEARCH &#38; DEVELOPMENT&#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_23_960.jpg" border="0" width="960" height="621" width_o="2048" height_o="1325" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_23_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_24_960.jpg" border="0" width="960" height="621" width_o="2048" height_o="1325" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_24_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_25_960.jpg" border="0" width="960" height="621" width_o="2048" height_o="1325" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_25_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_26_960.jpg" border="0" width="960" height="621" width_o="2048" height_o="1325" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_26_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_27_960.jpg" border="0" width="960" height="621" width_o="2048" height_o="1325" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_27_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_28_960.jpg" border="0" width="960" height="621" width_o="2048" height_o="1325" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_28_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_29_960.jpg" border="0" width="960" height="621" width_o="2048" height_o="1325" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_29_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_30_960.jpg" border="0" width="960" height="621" width_o="2048" height_o="1325" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_30_o.jpg" align="left" /&#62; {image 31{image 32&#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_33_960.jpg" border="0" width="960" height="621" width_o="2048" height_o="1325" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_33_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_34_960.jpg" border="0" width="960" height="621" width_o="2048" height_o="1325" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_34_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_35_960.jpg" border="0" width="960" height="401" width_o="1292" height_o="540" src_o="http://payload.cargocollective.com/1/0/26660/1827205/DougChang_Awaken_35_o.jpg" align="left" /&#62; 


CREDITS
Doug Chang  : :  Director, Author, Designer, Pre-Vis, Animator, Compositor, Sound Designer
Mike Reyes  : :  Cinematographer
Filippo Nesci : : Cinematographer
Clair Chang : : Assistant Camera
Edward Cushenberry : : Lighting Assistant
Russia Hardy : : Figure Model

Special Thanks to Rob Garrott, Mike Reyes, Filippo Nesci, Clair Chang, Chris Acedillo for the Slider Rental, Elizabeth Bayne for too much equipment, Gurkan Erdemli for giving me kit lights, Nicolette Wood

ART CENTER COLLEGE OF DESIGN</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>Wikipedia</title>
		<link>http://dougchang.com/Wikipedia</link>
		<comments>http://dougchang.com/following/dougchang.com/Wikipedia</comments>
		<pubDate>Sat, 09 Jul 2011 18:18:30 +0000</pubDate>

		<dc:creator>Doug Chang--Conceptual Weaponry for Aesthetic Wars</dc:creator>
		
		<category><![CDATA[wikipedia, wikimedia, imagine, world, without, free, knowledge, motion, vfx, doug, chang, art center, 3d, animation, ecosystem]]></category>

		<guid isPermaLink="false">1694043</guid>
		<description>

WIKIPEDIA LEGACYPromo Ad


DESIGN + STORY
&#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_02_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_02_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_01_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_01_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_03_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_03_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_04_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_04_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_05_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_05_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_06_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_06_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_07_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_07_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_08_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_08_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_09_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_09_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_11_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_11_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_12_960.jpg" border="0" width="960" height="401" width_o="1070" height_o="448" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_12_o.jpg" align="left" /&#62; 


SYNOPSIS
A curious explorer ventures across a dream-like world collecting a potpourri of glowing essences. Her discoveries yield a harvest of wonder and curiosity in her search for self. She embarks on a journey to share her glowing stars with the world, creating a legacy for the collective of human knowledge. As new discoveries in human knowledge are made every day, Wikipedia is an opportunity for people to share those experiences all across the world. So what have you collected in your jar?


BEHIND THE SCENES&#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_32_960.jpg" border="0" width="960" height="621" width_o="1920" height_o="1242" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_32_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_33_960.jpg" border="0" width="960" height="621" width_o="1920" height_o="1242" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_33_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_30_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_30_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_31_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_31_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_29_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_29_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_13_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_13_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_14_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_14_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_15_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_15_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_16_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_16_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_17_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_17_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_18_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_18_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_19_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_19_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_20_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_20_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_21_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_21_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_22_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_22_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_23_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1694043/DougChang_Wikipedia_23_o.jpg" align="left" /&#62; 


CREDITS
Doug Chang : : Director, Author, Producer, Production Designer, Designer, Animator, Compositor, Sound Mixer
Paul Sangwoo Kim : : Co-Director, Producer
Kevin Shin : : Producer, Prop Master, Design/Animation/Compositing
Charles C. Rose : : Cinematographer, Instructor, Advisor
Jason Yeh : : VFX Supervisor, Animation/Compositing
Laura Liz Perloe : : Modern Explorer
Josh King : : Contemporary Explorer
Maura Rosa : : Composer
Nguyen Do : : Foley Artist
Stacy Rose Tai : : Hair and Make-up Artist
Ming Tai : : Instructor, Supervisor, Advisor
Paul Saskas : : Instructor, Production Supervisor, Advisor, Stage Supervisor
Crew : : Teodros Thailye, Yerem Yerem Tagvoryan, Steve Lee, Chris Chan
Extras : : Alex Nassour, Annalisa Swank, Erik Molano, Yerem Tagvoryan, Charles C. Rose, Paul Saskas, Ming Tai, Doug Chang, Kevin Shin, Paul Sangwoo Kim, Jason Yeh

Special Thanks to Ming Tai, Charles C. Rose, Paul Saskas, Nguyen Do, ACCD Equipment Room, ACCD Photo Stage 2, NBC Universal Prop and Wardrobe

ART CENTER COLLEGE OF DESIGN</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>Fatherless</title>
		<link>http://dougchang.com/Fatherless</link>
		<comments>http://dougchang.com/following/dougchang.com/Fatherless</comments>
		<pubDate>Wed, 06 Jul 2011 03:51:09 +0000</pubDate>

		<dc:creator>Doug Chang--Conceptual Weaponry for Aesthetic Wars</dc:creator>
		
		<category><![CDATA[doug chang, storyboard, motion, photography, cinematography]]></category>

		<guid isPermaLink="false">1689116</guid>
		<description>FATHERLESSPhotography, Design + Story



&#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless01_960.jpg" border="0" width="960" height="403" width_o="1280" height_o="538" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless01_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless02_960.jpg" border="0" width="960" height="403" width_o="1280" height_o="538" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless02_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless03_960.jpg" border="0" width="960" height="402" width_o="1280" height_o="536" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless03_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless04_960.jpg" border="0" width="960" height="403" width_o="1280" height_o="538" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless04_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless05_960.jpg" border="0" width="960" height="403" width_o="1280" height_o="538" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless05_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless06_960.jpg" border="0" width="960" height="403" width_o="1280" height_o="538" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless06_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless07_960.jpg" border="0" width="960" height="403" width_o="1280" height_o="538" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless07_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless08_960.jpg" border="0" width="960" height="403" width_o="1280" height_o="538" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless08_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless09_960.jpg" border="0" width="960" height="403" width_o="1280" height_o="538" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless09_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless10_960.jpg" border="0" width="960" height="402" width_o="1280" height_o="536" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless10_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless11_960.jpg" border="0" width="960" height="402" width_o="1280" height_o="536" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless11_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless12_960.jpg" border="0" width="960" height="403" width_o="1280" height_o="538" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless12_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless13_960.jpg" border="0" width="960" height="403" width_o="1280" height_o="538" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless13_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless14_960.jpg" border="0" width="960" height="402" width_o="1280" height_o="536" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless14_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless15_960.jpg" border="0" width="960" height="402" width_o="1280" height_o="536" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless15_o.jpg" align="left" /&#62; 


SYNOPSIS
Home − Father Figure = Almost Everyone

I wanted to take photographs to create a story that could have two perspectives and could be read in two different ways: "How it feels to grow up lost without a father" and/or "How it feels to be a father who has left his family." The contents of someone's shopping cart helps us understand what someone is going through without showing that specific someone. Through this, I want to reveal the life of someone we never see similarly to how we try to imagine a father or child we've never met.



&#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless16_960.jpg" border="0" width="960" height="685" width_o="1279" height_o="913" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless16_o.jpg" align="left" /&#62; 


RESEARCH &#38; DEVELOPMENT&#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless17_960.jpg" border="0" width="960" height="741" width_o="1650" height_o="1275" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless17_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless18_960.jpg" border="0" width="960" height="741" width_o="1650" height_o="1275" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless18_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless19_960.jpg" border="0" width="960" height="741" width_o="1650" height_o="1275" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless19_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless20_960.jpg" border="0" width="960" height="741" width_o="1650" height_o="1275" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless20_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless21_960.jpg" border="0" width="960" height="741" width_o="1650" height_o="1275" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless21_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless22_960.jpg" border="0" width="960" height="741" width_o="1650" height_o="1275" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless22_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless23_960.jpg" border="0" width="960" height="741" width_o="1650" height_o="1275" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless23_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless25_960.jpg" border="0" width="960" height="741" width_o="1650" height_o="1275" src_o="http://payload.cargocollective.com/1/0/26660/1689116/DougChang_Fatherless25_o.jpg" align="left" /&#62; 


Doug Chang : : Direction, Story, Photography, Compositing
Music by The Naked and Famous - The Ends

ART CENTER COLLEGE OF DESIGN
Instructor: Ming Tai</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>Fat Acceptance</title>
		<link>http://dougchang.com/Fat-Acceptance</link>
		<comments>http://dougchang.com/following/dougchang.com/Fat-Acceptance</comments>
		<pubDate>Wed, 15 Jun 2011 09:27:25 +0000</pubDate>

		<dc:creator>Doug Chang--Conceptual Weaponry for Aesthetic Wars</dc:creator>
		
		<category><![CDATA[doug chang, styleframe, motion, storyboard]]></category>

		<guid isPermaLink="false">314485</guid>
		<description>FAT ACCEPTANCE MOVEMENT PSADesign + Story

&#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance01_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance01_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance02_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance02_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance03_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance03_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance04_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance04_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance05_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance05_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance06_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance06_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance07_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance07_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance08_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance08_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance09_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance09_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance10_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance10_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance11_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance11_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance12_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance12_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance13_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance13_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance14_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance14_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance15_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance15_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance16_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance16_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance17_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance17_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance18_960.jpg" border="0" width="960" height="624" width_o="1280" height_o="833" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance18_o.jpg" align="left" /&#62; 


SYNOPSIS
I am addressing the problem of "Headless Fatties in Media" where media often crops out the heads of fat people in order to show fat people as objects. This storyboard depicts how our society objectifies, neglects and mistreats our fat community unconsciously and labels being fat as a problem to exclude from society rather than accepting them as real people that have a name and a face. This storyboard reveals the need for change in how doctors mistreat fat people for being irresponsible, employers target fat people as being lazy and clumsy and the stigma that fat people are financially reckless. The stigma must change beginning now or may a fat child be ignored his entire, growing life.

"We want to be seen! Stop covering up our faces".


&#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance19_960.jpg" border="0" width="960" height="550" width_o="1280" height_o="734" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance19_o.jpg" align="left" /&#62; 


RESEARCH &#38; DEVELOPMENT&#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance20_960.jpg" border="0" width="960" height="621" width_o="1920" height_o="1242" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance20_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance21_960.jpg" border="0" width="960" height="621" width_o="1920" height_o="1242" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance21_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance22_960.jpg" border="0" width="960" height="621" width_o="1920" height_o="1242" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance22_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance23_960.jpg" border="0" width="960" height="621" width_o="1920" height_o="1242" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance23_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance24_960.jpg" border="0" width="960" height="621" width_o="1920" height_o="1242" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance24_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance25_960.jpg" border="0" width="960" height="621" width_o="1920" height_o="1242" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance25_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance26_960.jpg" border="0" width="960" height="621" width_o="1920" height_o="1242" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance26_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance27_960.jpg" border="0" width="960" height="621" width_o="1920" height_o="1242" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance27_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance28_960.jpg" border="0" width="960" height="621" width_o="1920" height_o="1242" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance28_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance32_960.jpg" border="0" width="960" height="621" width_o="1920" height_o="1242" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance32_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance33_960.jpg" border="0" width="960" height="621" width_o="1920" height_o="1242" src_o="http://payload.cargocollective.com/1/0/26660/314485/DougChang_FatAcceptance33_o.jpg" align="left" /&#62; 


ART CENTER COLLEGE OF DESIGN
Instructor: Brian Gossett
</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>Eat Plastic</title>
		<link>http://dougchang.com/Eat-Plastic</link>
		<comments>http://dougchang.com/following/dougchang.com/Eat-Plastic</comments>
		<pubDate>Sun, 24 Apr 2011 23:21:34 +0000</pubDate>

		<dc:creator>Doug Chang--Conceptual Weaponry for Aesthetic Wars</dc:creator>
		
		<category><![CDATA[doug chang, motion, typography, doug chang, clair chang, johan khalilian, roya backlund, nicolette wood, art center, plastic, edible, psa]]></category>

		<guid isPermaLink="false">1344031</guid>
		<description>

MAKE PLASTIC EDIBLEPSA, Typographic System


DESIGN + STORY&#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board01_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board01_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board02_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board02_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board03_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board03_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board04_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board04_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board05_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board05_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board06_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board06_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board07_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board07_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board08_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board08_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board09_960.jpg" border="0" width="960" height="543" width_o="1280" height_o="725" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board09_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board10_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board10_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board11_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board11_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board12_960.jpg" border="0" width="960" height="540" width_o="1280" height_o="720" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Board12_o.jpg" align="left" /&#62; 


SYNOPSIS
Plastic − Petroleum = Edible Plastic

Everyday plastics leach toxins. My goal Is not to change people's behaviors towards plastics, but to develop an attitude towards the need for a safer plastic, one that is safe enough to eat and not what we are already unknowingly eating.


RESEARCH &#38; DEVELOPMENT&#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research01_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research01_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research02_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research02_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research03_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research03_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research04_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research04_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research05_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research05_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research06_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research06_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research07_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research07_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research08_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research08_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research09_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research09_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research10_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research10_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research11_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research11_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research12_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research12_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research13_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research13_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research14_960.jpg" border="0" width="960" height="621" width_o="1280" height_o="828" src_o="http://payload.cargocollective.com/1/0/26660/1344031/Plastic_Research14_o.jpg" align="left" /&#62; 

Instead of trying to scare people into abandoning their relationship with plastics, i chose to embrace our relationship with plastics through health foods juxtaposed with the irony that our health is actually threatened by the plastics they are packaged in. Color and typography helped me communicate the subtle undertones of my message. Using  a colorless, white plastic sky helped to illustrate the white lies of a manufactured, fake plastic world, while using clinical typography disguised as warning and nutrition packaging labels allowed me to reveal the invisible dangers hidden within the fine print. Desaturation helped uncover the effects and reality leading to the truth. Shifting into bold colors and elegant typography with a humanistic personality awakens the hope for a perfect solution.


CREDITS
Doug Chang  : :  Director, Producer, Author, Designer, Animator
Clair Chang  : :  Cinematographer
Johan Khalilian : : Actor
Roya Backlund : : Actress
Nicolette Wood : : Actress, Voice Actress, 1st Assistant Director
Music : : Goodnight Freddy by The Sounds

Special Thanks to Jason Cook, Nicolette Wood

ART CENTER COLLEGE OF DESIGN</description>
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